Schriftenverzeichnis Dr. Ataru Sotomura
Monographien
2024
Ataru Sotomura and Yasuo Inamoto (ed.): ‘Mieru’mono ya ‘mienai’mono o arawasu – higashi ajia no shisô, bunbutsu, geijutsu 「見える」ものや「見えない」ものをあらわす：東アジアの思想・文物・藝術 / Visible and Invisible Entities in Thought, Culture, and Arts of East Asia. Tôkyô: Benseisha. [Joint Research Report, Institute for Research in Humanities, Kyoto University].
2015
The Buddhist Heavens 天: Source Manual for Iconographic Research on the Buddhist Universe, Part II, Nalanda-Sriwijaya Centre Working Paper No. 18 (Apr. 2015). https://www.iseas.edu.sg/articles-commentaries/nsc-working-papers/the-buddhist-heavens-source-manual-for-iconographic-research-on-the-buddhist-universe-part-ii/
2011
Mt. Sumeru 須彌山: Source Manual for Iconographic Research on the Buddhist Universe, Nalanda-Sriwijaya Centre Working Paper No.6 (Sep. 2011). https://www.iseas.edu.sg/articles-commentaries/nsc-working-papers/mt-sumeru-source-manual-for-iconographic-research-on-the-buddhist-universe/
2003
mit Tanaka, Tan / Fukuda, Miho (Hg.) Chûgoku kodai zôen shiryô shûsei. Tôkyô: Chûô kôron bijutsu shuppan. [Kompilation und Index chinesischer Texte zur Landschafts‑ und Gartenkunst von der Qin‑ bis zur Sui-Dynastie].
1991
mit Sybille Girmond: Der japanische Garten in Leverkusen. Farbiges Spiegelbild der vier Jahreszeiten. Heidelberg: Edition Braus.
Artikel und Buchbeiträge
2024
“Heiankyô no chûjikusen to nanbôtenketsu no dentô ni tsuite 平安京の中軸線と南望天闕の伝統について / The Central Axis of Heiankyo (present-day Kyoto) and the Traditional Concept of ‘Facing the Heavenly Gate in the South’”. In: Michi Shigeta (ed.) ‘Nihon no dentô bunka’ o toinaosu 「日本の伝統文化」を問い直す / Reexamining ‘Tradition’ in Traditional Japanese Cultures. Kyôtô: Rinsenshoten, 34-71.
“Dôkakei to jukakei to iseshintô no ‘itsunaru’mono 道家系と儒家系と伊勢神道の「一なる」もの / ‘The One’ as Expounded in the Classical Texts of Daoism, Confucianism, and Ise Shintô”. In: Ataru Sotomura and Yasuo Inamoto (ed.): ‘Mieru’mono ya ‘mienai’mono o arawasu – higashi ajia no shisô, bunbutsu, geijutsu / Visible and Invisible Entities in Thought, Culture, and Arts of East Asia. Tôkyô: Benseisha, 509-536.
2023
“Iwayuru ‘buddha naki butsudenzu’ ni hyôgensareta buddha to shômonjô (ubu oyobi daishubu) no busshinron ni tsuiteいわゆる「仏陀なき仏伝図」に表現されたブッダと声聞乗（有部および大衆部）の仏身論について / The Buddha as depicted in the so-called ‘Aniconic Representations of Buddha Biography’ and the Theories of the Early Buddhist Schools (Sarvāstivādin and Mahāsāṃghika) on the Buddha-Body”. In: Yasuo Inamoto (ed.) Shaka-shinkô to Bijutsu. Kyôto: Shibunkaku shuppan, 49-77.
2022
“Ryôgakyô ga toku ´mieru´mono ya ´mienai´mono 『楞伽経』が説く「見える」ものや「見えない」もの : 〈「真我」〉は「常道」であり、〈初期状態の「阿賴耶識」〉は「一なる」ものである / Laṅkāvatāra-sūtra: The Initial State of “Ᾱlaya-vijñāna” corresponds to “the One” of the Early Daoist Theory”. In: Kenkyûkai happyô shiryôshû 研究会発表資料集. Kyoto University Research Information Repository (2022-03-26), 1-40. http://hdl.handle.net/2433/276088
2021
“Konkômyôkyô ga toku ´mieru´mono ya ´mienai´mono 『金光明経』が説く「見える」ものや「見えない」もの : 〈「見える」霊鷲山のシャカ〉から〈「見えない」もので、広大無限なる、法身のブッダ〉へ / Suvarṇa-prabhāsa-sūtra: From the Visible Buddha Preaching at the Vulture Peak to the Invisible Buddha Pervading the Whole Space of the Universe”. In: Kenkyûkai happyô shiryôshû 研究会発表資料集. Kyoto University Research Information Repository (2021-12-11), 1-43. http://hdl.handle.net/2433/276087
“Dôgyô-hannyagyô ga toku ´mieru´mono ya ´mienai´mono 『道行般若経』が説く「見える」ものや「見えない」もの : 般若波羅蜜(すなわち大乗)とは、ブッダの「見えない」母である / Lokakṣema's translation of the Aṣṭasāhasrikā-prajñāpāramitā-sūtra: Prajñāpāramitā is Mahāyāna as the Invisible Buddha Mother”. In: Kenkyûkai happyô shiryôshû 研究会発表資料集. Kyoto University Research Information Repository (2021-06-05), 1-23. http://hdl.handle.net/2433/276086
“Daijô-nehangyô ga toku ´mieru´mono to ´mienai´mono『大乗涅槃経』が説く「見える」ものと「見えない」もの：いわゆる涅槃図は涅槃図ではない / Mahāparinirvāṇa Sūtra: Nehan Paintings Encoding the Invisible Parinirvāṇa ”; “Hokekyô ga toku ´mieru´mono ya ´mienai´mono 『法華経』が説く「見える」ものや「見えない」もの：久遠身と方便身、一世界一仏と二仏並坐ほか / Saddharma Puṇḍarīka Sūtra: Two Finite Buddha Bodies”; “Enanji ga toku ´mieru´mono ya ´mienai´mono 『淮南子』が説く「見える」ものや「見えない」もの：「常道」と「一なる」もの / Huainanzi: Two Invisible Ways ”; “Dôka (rôsô) ga toku ´mieru´mono ya ´mienai´mono 道家（老荘）が説く「見える」ものや「見えない」もの：「一なる」ものこそ「道」である / Laozi and Zhuangzi: The Only Way ”. In: Yasuo Inamoto (ed.) Bukkyô to dôkakei no ´mieru´mono ya ´mienai´mono 仏教と道家系の「見える」ものや「見えない」もの: 京都大学人文科学研究所共同研究国際ワークショップ参考資料集 / Collaborative Research Project: International Workshop-related Papers: The Visible and/or Invisible Entities of Buddhism and Early Daoist Philosophy: Kyôto: Yasuo Inamoto (Institute for Research in Humanities, Kyôto University), 1-22, 23-54, 55-72, 73-100.
2020
“Jôdo-sanbukyô nado ga toku ´mieru´mono ya ´mienai´mono 「浄土三部経」などが説く「見える」ものや「見えない」もの : 西方浄土変は阿弥陀浄土を描いたものではない / The Three Pure Land Sutras and others: So-called Saihō-jōdohen does not represent Buddha Amida’s Western Pure Land ”. In: Kenkyûkai happyô shiryôshû 研究会発表資料集. Kyoto University Research Information Repository (2020-08-23), 1-21. http://hdl.handle.net/2433/276085
2020 peer-reviewed
“Shaka no nyûmetsunen ni tsuite: Shakamuni to Ashôkaô to Kanishukaô ni kansuru rekishijôhô no sôkanbunsekiシャカの入滅年について: シャカムニとアショーカ王とカニシュカ王に関する歴史情報の相関分析 / The Year of Śākyamuni's Death: Correlative Analysis of Historical Information on Śākyamuni, King Aśoka, and King Kanishka”. In: The Tôhô Gakuhô / Journal of Oriental Studies (Kyoto) No. 95, 580-524. https://doi.org/10.14989/261845
2019
“Kegonkyô ga toku ´mieru´mono ya ´mienai´mono『華厳経』が説く「見える」ものや「見えない」もの : 「見えない」法身と「見える」色身の二身をもっての四身説 / Buddha-avataṃsaka-sūtra: Two Invisible Dharma-bodies and Two Visible Rūpa-bodies”. In: Kenkyûkai happyô shiryôshû 研究会発表資料集. Kyoto University Research Information Repository (2019-12-21), 1-30. http://hdl.handle.net/2433/276084
2018 peer-reviewed
“Kan’yaku ‘Kegonkyô’ no genten ‘Budda-avatansaka-sûtra’ no busshinron to uchûron ni tsuite 漢訳『華厳経』の原典『ブッダ・アヴァタンサカ・スートラ』の仏身論と宇宙論について / The Theory of the Buddha-avataṃsaka-sūtra on the Buddha Body and the Universe”. In: The Tôhô Gakuhô / Journal of Oriental Studies (Kyoto) No. 93, 205-280. https://doi.org/10.14989/241065.
2017 peer-reviewed
“Shohyô: Muramoto, Kenichi (cho), Kan Gi Shin Nanbokuchô jidai no tojô to ryôbo no kenkyû / Reviews: MURAMOTO Ken'ichi, Studies on walled cities and burial mounds during the Han, Wei, Jin and Northern-Southern Dynasties periods”. In: (The Historical Society of Japan) Shigaku Zasshi 126 (10), 1654-1661.
2017
“Chûgoku tojô seidoshi gaisetsu (Zenkan kara Zui made) / The layout of the Capital Cities of China (Western Han - Sui dynasties)”. In: Kishiwadashi bunkashô, Hamada Seiryô Shô 30 shûnen kineshi, Kishiwada City & Asahi shimbun, 7-17.
2016 peer-reviewed
“Kijiru sekkutsu ni egakareta daijô no jinpenbutsu ni tsuite キジル石窟に描かれた大乗の神変仏について / The Identity of the so-called Cosmological Buddha of Kucha”. In: The Tôhô Gakuhô Journal of Oriental Studies (Kyoto) No. 91, 529-502. Download full article.
2016
“Shumisen sekai ni kansuru shosetsu to Tôdaiji daibutsu renben shumisenzu ni tsuite 須弥山世界に関する諸説と東大寺大仏蓮弁須弥山図について / A World with Mt. Sumeru as Represented in a Eighth Century Petal from the Great Buddha’s Lotus Pedestal at Tōdaiji Temple”. In: Yasuo Inamoto (ed.) Workshop Proceedings, Higashi ajia bukkyô bijutsu ni okeru seichi hyôshô no shoyôtai / Modes of Representing Sacred Sites in East Asian Buddhist Art. Kyôto: Yasuo Inamoto (Institute for Research in Humanities, Kyôto University), 1-32. Download Full article.
2015 peer-reviewed
“Kegonkyô no uchûron to Tôdaiji daibutsu no ishô ni tsuite / The Cosmology of the Avataṃsaka-sūtra and the Design of the Great Buddha at Tôdaiji Temple”. In: International Research Center for Japanese Studies, Nihon kenkyû, No. 51, 21-40. Link to fulltext article.
2014
“Tôdaiji daibutsu renben kebori zu ni tsuite / The Heavens Engraved on the Lotus Pedestal of the Great Buddha at Tôdaiji Temple”. In: Nanto Bukkyô / Journal of the Nanto Society for Buddhist Studies, No. 99, 88-116.
2014 peer-reviewed
“Kan’yaku butten ni mirareru Indo bukkyô no teien dezain to Kodai Chûgoku no teien tono kankei ni tsuite / Relation between Indian Buddhist Garden Designs and Ancient Chinese Gardens”. In: Nihon teien gakkai shi / Journal of the Academic Society of Japanese Garden, vol. 28, 1-10. https://doi.org/10.5982/jgarden.2014.28_1.
2014
“Jôdo-teien to ‘Sakuteiki’ to ‘Gionzukyô’ / Jôdo Gardens and ‘Sakuteiki’ and ‘the Jetavana Scripture’”. In: Sakuteiki to Nihon no Teien. Kyôto: Shibunkaku shuppan, 111-147.
2013 peer-reviewed
“Shôsôin biwa genryû kô 正倉院琵琶源流攷 / The Origins and the Divergences of the Biwa-lutes as housed in the Shôsô-in”. In: Institute for Research in Humanities, Kyôto University, The Zinbun Gakuhō / Journal of Humanities, vol. 103, 1-43. http://repository.kulib.kyoto-u.ac.jp/dspace/handle/2433/189485
2011 peer-reviewed
“Kodai Chûgoku no hôchi to Nansô no Shuki no ‘Hanpo-hôtô’ ni tsuite / The Square Pond in Chinese Garden History - An Approach through Zhu Xi's Small Square Pond”. In: Nihon teien gakkai shi / Journal of the Academic Society of Japanese Garden, vol. 25, 1-15. https://www.jstage.jst.go.jp/article/jgarden/2011/25/2011_25_1/_article
2011 peer-reviewed
“Tô no Chôan no Seidai to Tôdai oyobi Nihon no Heijô-kyû ni tsuite / The Western Palace Complex Xinei and the Eastern Palace Complex Dongnei of Chang'an City during the Tang Period and Heijô-kyû Palace of Japan”. In: Bukkyô geijutsu / Ars Buddhica, No. 317, 9-51.
2010 peer-reviewed
“Gi-shin Rakuyô tojô seido kô 魏晉洛陽都城制度攷 / The Layout of Luoyang, the Capital City in 3rd Century CE China”. In: Institute for Research in Humanities, Kyoto University, The Zinbun Gakuhō / Journal of Humanities, vol. 99, 1-29. http://repository.kulib.kyoto-u.ac.jp/dspace/handle/2433/134544
2010 peer-reviewed
“Kodai Indo no gengakki <Vînâ><Varrakî><Tunava> / Ancient Indian Stringed Musical Instruments: Vīṇā, Vallakī, Tuṇava”. In: Kodaibunka / Cultura Antiqua, vol. 62(3), 65-81.
2010
Li Fei (trans.), Zhao Weiping (proof.) “Tangdai pipa zakao / Tang Pipa Examined”. In: Yinyue yishu / Journal of the Shanghai Conservatory of Music, vol. 2, 59-70. [Chinesische Übersetzung des Artikels: “Tôdai biwa zakkô: Shôsôin no ‘Shinkan’ biwa / The Tang-Dynasty Lute as Repre¬sented in Imagery from the Shôsôin and Tang Texts”. In: Rokuon zasshû. Nara kokuritsu hakubutsukan kenkyû kiyô / Bulletin of the Nara National Museum, No. II-III, 57-71, 2001. ]
2009 peer-reviewed
“Asuka no shumisen seki / The Mt. Sumeru Stone of Asuka”. In: Nihon teien gakkai shi / Journal of the Academic Society of Japanese Garden, vol. 21, 1-14. https://www.jstage.jst.go.jp/article/jgarden/2009/21/2009_21_21_1/_article
2009 peer-reviewed
“<Gogen> no kigen to jisei ni tsuite / The Origin of the Five-Stringed Lute and the Arrangement of its Frets”. In: Kodaibunka / Cultura Antiqua, vol. 61(3), 88-95.
2009 peer-reviewed
“Taishakuten no zenkenjô to sono enrin / Indra’s City and Gardens”. In: Nihon teien gakkai shi / Journal of the Academic Society of Japanese Garden, vol. 20, 1-19. https://www.jstage.jst.go.jp/article/jgarden1993/2009/20/2009_20_1/_article
2009 peer-reviewed
“Ka Kôgen no ‘Shuraiso’ to fujiwarakyô ni tsuite / Comparative study on the 7th century Chinese scholar Jia Gongyan’s commentary on ‘Zhouli’ and the plan of the Japanese capital Fujiwara-kyô (694-710)”. In: Kodaigaku kenkyû, vol. 181, 26-33.
2007
“Indo bukkyô no teien dezain to kodai Chûgoku no teien / Indian Buddhist Garden Designs and Ancient Chinese Gardens”. In: Dentô Chûgoku no teien to seikatsu kûkan / Landscape Architecture and Living Space in the Chinese Tradition. International Symposium, June 9–10, 2007. Kyôto University, Institute for Research in Humanities, G1-G18.
2006 peer-reviewed
“Kodai higashi Ajia no <ike to shima no enrin> to <ike to tsukiyama no enrin> / ‘Ponds-and-Islands in the Garden’ and ‘Ponds-and-Artificial-Mountains in the Garden’ in Ancient East Asia”. In: Bukkyô geijutsu/Ars Buddhica, No. 286, 13-56. [Erweiterte japanische Überarbeitung des Vortrages ‘The Fashionable Revival of Ancient Garden Designs in 7th Century China’, gehalten anläßlich der internationalen Konferenz ‘Perceptions of Antiquity in China’s Civilization’ an der Universität Würzburg 2004.]
2005
“<Gogen> Biwa no ryûkô ni tsuite / On the Prevalence of the Wuxian, Five-Stringed Lute”. In: Rokuon zasshû. Nara kokuritsu hakubutsukan kenkyû kiyô / Bulletin of the Nara National Museum, No. 7, 1-24 und iii. http://www.narahaku.go.jp/english/archives/kiyo/07/biwa-e.pdf
2004
“Jôdo-Tempelanlagen in Japan vom 11. bis zum 14. Jahrhundert”. In: Ostasiatische Zeitschrift, Neue Serie, Nr. 8, 7-21.
2004
“The Fashionable Revival of Ancient Garden Designs in 7th Century China”. In: Dieter Kuhn (Hg.): Perceptions of Antiquity in China’s Civilization. International Conference. Würzburg, 27 – 29 May 2004. Abstract Volume, 17-19.
2004 peer-reviewed
“Chûgoku kodai no toshi to enrin ni tsuite no shohoteki kôsatsu / A Preliminary Examination on Cities and Gardens in Ancient China”. In: Bukkyô Geijutsu / Ars Buddhica, No. 272, 13-33.
2004 peer-reviewed
“Sei Shin no Han Gaku no kankyo to sansuiron ni tsuite / Pan Yue (AD 247-300)’s Urban Dwelling and Landscape Theory”. In: Randosukêpu kenkyû / Journal of the Japanese Institute of Landscape Architecture, vol. 68:1, 165-173. https://www.jstage.jst.go.jp/article/jila/68/2/68_2_165/_article
2002 peer-reviewed
“Hokushû no Yu Shin to Nanchô Kenkô no tôgû no enrin oyobi ‘Shôen fu’ ni tsuite / Discussion on the ‘Poetic Essay on a Small Garden’ (xiaoyuan fu) by Yu Xin (513-581) and the Garden of the Crown Prince of the Southern Dynasties in Jiankang (present-day Nanjing)”. In: Randosukêpu kenkyû / Journal of the Japanese Institute of Landscape Architecture, vol. 65:4, 334-344. https://www.jstage.jst.go.jp/article/jila1994/65/4/65_4_334/_article
2001 peer-reviewed
“Ryô no Shin Yaku no kôkyo ni tsuite / Shen Yüeh (441-513)’s Suburban Dwelling”. In: Randosukêpu kenkyû / Journal of the Japanese Institute of Landscape Architecture, vol. 64:3, 266-269. https://www.jstage.jst.go.jp/article/jila1994/64/3/64_3_266/_article
2001
“Tôdai biwa zakkô: Shôsôin no ‘Shinkan’ biwa / The Tang-Dynasty Lute as Represented in Imagery from the Shôsôin and Tang Texts”. In: Rokuon zasshû. Nara kokuritsu hakubutsukan kenkyû kiyô / Bulletin of the Nara National Museum, No. II-III, 57-71. http://www.narahaku.go.jp/english/archives/kiyo/02/kiyo-02-03.html , http://www.narahaku.go.jp/archives/kiyo/02/kiyo-02-03.html
1999 peer-reviewed
“Chûgoku no Dôtaiji no enchi ni tsuite / The Garden Pond of Tongtaisi Temple”. In: Randosukêpu kenkyû / Journal of the Japanese Institute of Landscape Architecture, vol. 62:4, 396-399.
1998 peer-reviewed
“Rikuchô kenkô tojô kyûjô kô / The Layout of Jiankang, Capital of the Six Dynasties”. In: Tanaka Tan (Hg.): Chûgoku gijutsu-shi no kenkyû / Studies on the History of Technology in China. Kyôto: Kyôto University Jinbun Kagaku Kenkyûjo / Kyôto University Institute for Research in Humanities, 247-305.
1995 peer-reviewed
“Min matsu Shin sho izen no Chûgoku teien ni okeru taikoseki ni tsuite / The Taihu Rocks in Chinese Gardens before the Seventeenth Century”. In: Randosukêpu kenkyû / Journal of the Japanese Institute of Landscape Architecture, vol. 59:1, 24-36.
1994
mit Sybille Girmond “Herbst in einem japanischen Garten”. In: Atrium 1994:5, 110-116.
1994 peer-reviewed
“Nikkan no kazan shumi / The Kasan, Artificial Mountains in Korea and Japan”. In: Zôen zasshi / Journal of the Japanese Institute of Landscape Architects, vol. 57:3, 258-271.
1994
“Chûgoku ko enrin no ishô I - III: Ike to shima no enrin. Ike to tsukiyama no enrin. Nagare no shisetsu, ryûhaikyo”. In: (Gekkan) Sinica, vol. 5:2, 20-21, 36-37, und 50-51.
1993
“Der Zen-Garten-Disput des Tenryûji (1345). Ein Beitrag zur Entstehungsgeschichte von Zen-Gärten in Japan”. In: Claudius Müller (Hg.): Zen und die Kultur Japans. Klosteralltag in Kyôto. Berlin: Reimer Verlag, 49-62.
1992 peer-reviewed
“Sakuteiki ni iu karesansui no genryû / The Origin of the karesansui in Sakuteiki Style”. In: Zôen zasshi / Journal of the Japanese Institute of Landscape Architects, vol. 56:1, 1-14.
1991 peer-reviewed
“Kôfukuji sakutei hidensho no kenkyû / The Garden Making Technique Based Upon the Theory of the Flower Arrangement”. In: Zôen zasshi / Journal of the Japanese Institute of Landscape Architects, vol. 54:3, 215-221.
1991 peer-reviewed
“Kôfukuji sakutei shiryô / Secret Records on Garden Making at Kôfukuji Temple”. In: Zôen zasshi / Journal of the Japanese Institute of Landscape Architects, vol. 54:3, 222-226.
1990
“The First European Garden Introduced into Japan”. In: Aziatische Kunst. Mededelingenblad van de Vereniging van Vrienden der Aziatische Kunst Amsterdam. 20. Jahrgang, Heft 1, 14-19.
1989 peer-reviewed
“Hanchi no gogen ‘hansui’ ni tsuite / The Origin of the Term Hanchi”. In: Zôen zasshi / Journal of the Japanese Institute of Landscape Architects, vol. 53:2, 77-84.
1989
“<Hitsuboku chikuseki sansuiden> ni tsuite / The <Hitsuboku chikuseki sansuiden>, an Edo Period Text on Garden Making”. In: Nihon zôen gakkai Kansai shibu happyô yôshi / [Annual] Papers of the Kansai Branch on the Japanese Institute of Landscape Architects, 13-14.
1986 peer-reviewed
“Asukamura Shimanoshô hôchi dezain no kigen / The Origin of the Design of the Square Pond in Asuka”. In: Zôen zasshi / Journal of the Japanese Institute of Landscape Architects, vol. 49:5, 37-42.
Übersetzungen
2009
Hanburuku bijutsu kôgei hakubutsukan shozô, Nihon no kago korekushon. Japanische Zusammenfassung. In: Nora von Achenbach: Kagoshi. Japans Meister der Bambusflechtkunst. Hamburg: Museum für Kunst und Gewerbe.
1999
Christine Bartholomäus: Philipp Franz von Siebold (1796-1866), Japanforscher aus Würzburg. Zweisprachige Ausgabe, herausgegeben von Ulrich Wagner. Japanische Übersetzung von Ataru Sotomura. Würzburg: Stadtarchiv Würzburg [Sonderveröffentlichungen des Stadtarchives Würzburg, Band 2]
