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The Story of King Yaśōdhara in the Religious and Cultural Environment of Karnāṭaka
Spatial Texts, Cartography and Pilgrimage Practices in India
Alain Daniélou and the Construction of Śaivism
Sacrality and power: The tradition of the Śaṅkarācāryas of Śṛṅgerī
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Fünf mündliche Epen aus Südindien
Indologiegeschichte 1850-1900
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Indo-German Encounters and Cultures of Learning between the 19th and 21st Centuries - Universities, Libraries, Museums, Manuscripts (DAAD)
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Team
Esposito
Finger-Albert
Gengnagel
Hetzel
Holz
Lotz
Kurowska
Scarabel
Schömbucher
Schuster-Löhlau
Steiner
Unterdörfler
Fachprofil
Geschichte der Würzburger Indologie
Studium
Bachelor
Master
Besondere Leistungsnachweise
Studienelement Südasien
Modul- und Orientierungsstudien
Modulhandbücher und Studienfachbeschreibungen
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Berufsfelder
Einführende Literatur & Hinweise für Studierende
Summer Schools
Indienaufenthalt für Studierende
Forschung
The Proto-Śāradā Project
The Story of King Yaśōdhara in the Religious and Cultural Environment of Karnāṭaka
Spatial Texts, Cartography and Pilgrimage Practices in India
Alain Daniélou and the Construction of Śaivism
Sacrality and power: The tradition of the Śaṅkarācāryas of Śṛṅgerī
Abgeschlossene Projekte
Multimediale Datenbank zum Sanskrit-Schauspiel
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Daugherty
Illustrations
Illustrations
L.S. Rajagopalan. September 2005 (Photo: Diane Daugherty)
Vadakkunathan Temple Theatre (Photo: Diane Daugherty)
Aparna Nangiar showing the snake Kalia in nangiar kuttu. September 2001. (Photo: Diane Daugherty)
Usha Nangiar as Subhadra crying for help in "Subhadra's Nirvahana: First Day". June 2001 (Photo: Diane Daugherty)
Usha Nangiar standing on the stool as Subhadra. "Subhadra's Nirvahana: First Day". June 2001. (Photo: Diane Daugherty)
Usha Nangiar as the divine bird Garuda in "Subhadra's Nirvahana: First Day." June 2001. (Photo: Diane Daugherty)
Usha Nangiar as Garuda coming to Subhadra's rescue. "Subhadra's Nirvahana: First Day." June 2001. (Photo: Diane Daugherty)
Usha Nangiar as Garuda returning Subhadra to her palace. "Subhadra's Nirvahana: First Day." June 2001. (Photo: Diane Daugherty)
Usha Nangiar as Subhadra doing puja to the sanyasi. "Subhadra's Nirvahana: Second Day." September 2001. (Photo: Diane Daugherty)
Usha Nangiar as Arjuna blessing Subhadra. "Subhadra's Nirvahana: Second Day." September 2001. (Photo: Diane Daugherty)
Kalamandalam Girija (left) and Kalamandalam Sailaja (right) in "The Garden Scene". November 2001 (Photo: Diane Daugherty)
The author and P. Rama Iyer. September 2001 (Photo: Shibu Lal)
Subhadra (Margi Sathi) tells Shatpadika (Margi Usha) of her love for Arjuna in Subhadra-Dhananjaya, Act II. August 2001 (Photo: Shibu Lal)
Arjuna (Margi Raman Chakyar) eavesdrops on Subhadra (Margi Sathi) and her Chedi (Margi Usha) in Subhadra-Dhananjaya, Act II. August 2001 (Photo: Shibu Lal)
(Left to Right) Ammini Nangiaramma keeping the tala, Margi Sathi as Subhadra, Kalamandalam Vishwashree as Shatpadika, Margi Usha as Kalpalatika, Moozhikulam Kochukuttan Chakyar as Kaundinya, and Potiyil Narayana Chakyar as Arjuna holding the mendicant’s flag in Subhadra-Dhananjaya, Act II. August 2001 (Photo: Shibu Lal)
(Left to Right) Arjuna disguised as a sanyasi (Margi Narayana Chakyar) Shatpadika (Kalamandalam Vishwashree) Subhadra (Margi Sathi) Kalpalatika (Margi Usha) in Subhadra-Dhananjaya, Act II. September 2001 (Photo: Shibu Lal)
Palm-leaf manuscript for the actress in “Subhadra’s Nirvahana,” May 2001 (Photo: Diane Daugherty)
The author and Guru Moozhikulam Kochukuttan Chakyar at a Margi rehearsal in 2001 (Photo: Bozena Sliwcznska)
Usha Nangiar in “Subhadra’s Nirvahana,” 2001 (Photo: Diane Daugherty)
Margi Sathi in “Subhadra’s Nirvahana,” 2001 (Photo: Diane Daugherty)
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